Sculpture Derived From Greek Hellenistic Influence 19th Century

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany, B

2007-10-20T13:33:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Munich Academy Graduates, and Professors : * Jakob Ungerer - Neo-Hellenistic Baroque Neptune Sculpture “Mende Fountaine” 1886 - Augustusplatz, Leipzig ; *Architect - Karl Stockhardt – this ia a very strong design with some beautiful elements throughout the large number of figures and decorative details. Jocob Ungerer (1840-1920) studied, and professor of sculpture at the Munich Academy of Fine Art. One of the top Neo Baroque / - Neo Hellenistic 19th. century school of sculpture.; ///

Jacob Ungerer, sculptor, (1840-1920) Mende Brunnen Denkmal, Leipzig, Saxony, Germany, A

2007-10-20T12:50:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Munich Academy Graduates, and Professors : * Jakob Ungerer - Neo-Hellenistic Baroque Neptune Sculpture “Mende Fountaine” 1886 - Augustusplatz, Leipzig ; *Architect - Karl Stockhardt – this ia a very strong design with some beautiful elements throughout the large number of figures and decorative details. Jocob Ungerer (1840-1920) studied, and professor of sculpture at the Munich Academy of Fine Art. One of the top Neo Baroque / - Neo Hellenistic 19th. century school of sculpture.; ///

Jacob Ungerer, sculptor, (1840-1920) Mende Brunnen Denkmal, Leipzig, Saxony, Germany

2007-10-20T12:31:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz

{Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Excellent design in the composition of the sculpture as well as the form content of this Neo-Hellenistic sculpture group. There is a slight amount of the Romantic Academic mixed within the style which limits the possibility of the work, still quite impressive.}, bloger, PBP

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water

Ungerer - Sculptor of the Mende Fountaine Leipzig with Text Academy Sculptors

2007-10-19T22:10:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920 ), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884, - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water sculpted by Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany, - Munich Academy, Professor of Sculpture
Augustusplatz

Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Mendebrunnen - The largest and at the same time splendour-fullest well plant of the Leipziger of city is the Mendebrunnen. It is on the Augustusplatz before (new) the garb house and is that keeps remained part of the old place ensemble only. This oldest component of the Augustusplatzes was inaugurated in the year 1886. The architect Adolph Gnauth and the sculptor Jacob Ungerer built partially water speienden figures in the baroque style for the Mendebrunnen with its. It was designated after Marianne Pauline Mende, which financed the building of wells

The oldest received well plant of the fair city: The Mendebrunnen
Namensgeberin of the well is Marianne Pauline Mende († 1881), widow of the buyer Ferdinand William Mende, which donated by will 150,000 Goldmark „for the building the city of adorning well of monumental architecture at a free space in the proximity of the internal promenade, perhaps between the museum and the new theatre “. To its motives Egon Erwin Kisch, Mende mutmasste owner of a brothel was and wants with the generous legacy their frevelhaftes terrestrial doing to sühnen. The legend turned out later than (possibly intended) mistake. The construction costses for the plant amounted to nearly 189,000 Goldmark. They could be not completely covered by the donation capital increased around interest. The deficit of approximately 7,000 Goldmark could be applied however from the deduction of the Leipziger of buyer Franz Dominic Grassi. Starting from 1883 the well in the style of the Neobarock under the direction of upper's building advice became Adolf Gnauth from Nuremberg, after whose death of the advice of building of cities Hugo establishes light. The figure ensemble created the Munich sculptors Jacob Ungerer.

Allegorie on the water: The Mendebrunnen in the detail
The Mendebrunnen is to be understood as a Allegorie on the meaning of the water for humans. The maritime representations embody shapes of the Greek mythology: Equivalent twice triton, the son of the Poseidon, is represented with human torso and doppelschwänzigem fish body. The triton figures zügeln itself Hippokampen strong rearing up, fabulous creature half horse, half fish, which can be interpreted as control of the Meeresgewalten by humans. The Nereiden on the consoles nearly 18 m of the high Obelisken symbolizes the use, which humans draw from handling the sea. Gnauth and Ungerer followed both in the basic concept of the well and in the selection and organization of plastics famous models of the Italian baroque. The purchases are unmistakable to the Roman wells on the Piazza Navona, the Fontana del Moro and the four-current well sketched by Bernini. The motive of the figure ensemble could be inspired by Niccoló Salvis Fontana di Trevi in Rome.
The inauguration of the Mendebrunnens took place on 2 September 1886. 1970 the plant because of the building of the garb house was dismantled and only in June 1982 its original location in enterprise taken. During the building of the underground parking under the Augustusplatz (1996-98) the well a further mark was dismantled.
Academy of the forming arts Munich

The academy of the forming arts Munich is one of the oldest and most important academies of arts of Germany.
history - The prehistory of the academy goes far into 18. Century back, still the 1770 ago by cure prince Maximilian IIITH Joseph created so-called „design school “, which already carried the designation „for academy “in the name („design school respective painters and sculptor academie “). This is to be considered with the apparently late establishment 1808 by king Maximilian I. of Bavaria as „a royal academy of the forming arts “. Their first director was Johann Peter of long one, before times directors/conductors of the Düsseldorfer academy of arts. Followed it 1824 with Peter von Cornelius. 1886 referred it the representative new building (pompöse three-wing plant in palace-like building of periods of promoterism) of Gottfried of Neureuther (construction period of 1876-1885) in the Akademiestrasse/Leopoldstrasse with the victory gate, in which she has also today still her seat.
Center 19. Century had the residents of Munich academy a call leading world-wide. The painters Franz of Defregger and Franz of stucco here e.g. taught as well as the sculptors Adolf von Hildebrand and Ludwig Schwanthaler. Student at this time was Franz of Lenbach. A bloom time experienced the academy under William of Kaulbach († 1874) and his successor Karl Theodor of Piloty († 1886).
After the First World War the academy lost rapidly its meaning. After striking down a repressive climate prevailed to the soviet republic in Bavaria in Munich. For the National Socialist cultural policy the academy was after 1933 an important operating place. National Socialist artists like „painter “Adolf Ziegler and sculptor Josef Thorak were appointed to the academy.
In the Second World War that was destroyed to a large extent academy building, whereby extensive collections were lost from works of art, gypsum castings and costumes as well as archives. The paged out art library remained large and is today with approximately 90,000 volumes one to the best its kind, however only to the internal use.
Akademie der bildenden Künste München, 19TH. Jahrhundert

Emil Böhm (1891-1901)
/// Albrecht Christoph Wilhelm von Diez (* 17. Januar 1839 in Bayreuth; † 25. Februar 1907 in München) war ein deutscher Maler und Illustrator der Münchner Schule.
/// Anton Dominik Fernkorn ( 1813 - 1878 ) pupil of Schwanthaler in Munich Academy -*moved to teach in the Vienna Academy, and to produce sculpture in Austria
Hans Gasser ( 1817 - 1868 ) pupil of Schwanthaler at the Munich Academy -*moved to teach in the Vienna Academy, and produce sculpture in Austria ///
Walter Georgi (1871-1924) ///
Herman Hahn ( 1868 - 1942, München, Bildhauer ///
Hermann Helmer ( 1849 - 1919 ) ///
Ludwig von Herterich (1898) ///
Adolf von Hildebrand (1847-1921) (October 6, 1847 Marburg, Switzerland - January 18, 1921 Munich) was a sculptor, the son of Marburg economics professor Bruno Hildebrand., He was the author of Das Problem der Form in der Bildenden Kunst ("The Problem of Form in Painting and Sculpture")., Hildebrand studied 1862-1866 in Nuremberg and 1866-67 in the studio of Caspar of Zumbusch in Munich ///
Paul Hoecker (1874-1897) ///
Adolf Höfer (1869-1927) ///
Jakob Hofmann (* 17. Dezember 1876 in Aschaffenburg; † 26. Juni 1955 in Braunschweig) war ein deutscher Bildhauer und Zeichner. ///
Angelo Jank (1868-1940) ///
Joseph Knabl (1819-1881) was an Austrian sculptor, born at Fliess, Tirol. The son of a poor peasant, he tended cattle when a boy, was first instructed by the wood carver Franz Renn at Imst, and afterward in Munich by Entres and Anselm Sickinger ///
Carl August liner (1880-1893) ///
Ludwig von Löfftz (1845-1910) ///
Rudolf Maison ( 1854 - 1904 ) ///
Alois Mayer (* 3. März 1855 in Füssen; † 7. Oktober 1936 in München), Bildhauer, Seit etwa 1885 war er Gehilfe im Atelier des Professors Wilhelm von Rümann ///
Hubert Netzer ( 5. Oktober 1865 in Isny im Allgäu; † 15. Oktober 1939 in München ) Netzer taught at the academy of arts Duesseldorf., He was a pupil Adolf von Hildebrand (October 6, 1847 Marburg, Switzerland - January 18, 1921 Munich) ///
Carl Theodor of Piloty ///
Leo finery (1885-1905) ///
Richard Riemerschmid (1888-1890) ///
William of Rümann (* 11 November 1850 in Hanover; † 6 February 1906 in Ajaccio (Korsika)) was a German sculptor., Starting from 1887 Rümann was a professor at the academy of the forming arts in Munich., pupil of Michael Wagmüller ///
Martin Scheible (* 10. März 1873 in Neu-Ulm; † 9. Juni 1954 in Ulm), auch Johann Martin Scheible (seltener), war deutscher Bildhauer und Holzschnitzer. ///
Karl Schmoll of Eisenwerth (1898-1901) ///
Franz William Voigt (1893-1896) ///
Michael WAGMÜLLER ( April 14 1839 Regensburg - Dec 26 1881 Munich ) ///
Max von Widnmann, eigentl. Maximilian Ritter von Widnmann (* 16. Oktober 1812 in Eichstätt; † 6. März 1895 in München) war ein deutscher Bildhauer, pupil of the sculptor Ludwig Michael of Schwanthaler, between 1836 and 1839 in Rome, where he with that at that time already admitted Kopenhagener sculptors Bertel Thorwaldsen was friendly. ///
Caspar von Zumbusch (1830-1915) , pupil of the sculptor Ludwig Michael of Schwanthaler ///
Ferdinand von Miller,-1813 in Fürstenfeldbruck; † 11th February "1887" href="http://de.wikipedia.org/wiki/1887">In 1887 in Munich) sculptor, Bayerisches Armeedenkmal an der Feldherren, Munchen,Bavaria,Germany; ///
Ludwig Michael Schwanthaler ( 1802 - 1848 ) ///
Jocob Ungerer (1840-1920) - Mendebrunnen, Leipzig ///
George Wrba (* 3 January 1872 in Munich; † 9 January 1939 in Dresden) was a German sculptor and commercial artist, ///
Nikolaus Geiger (1849-97) born at Lauingen, Bavaria. He was a pupil of Joseph Knabl at the Munich Academy ///

Vienna Academy

Caspar Zumbusch (1830-1915) -
Kaspar Clemens von Zumbusch (* 23rd November In 1830 in Herzebrock; † 27th September In 1915 in Rimsting) was German Sculptor. He counts as the most important Monumentalplastiker of her Early days in Austria. Zumbusch followed at the age of 18 years Munich, around in that Academy of arts to study. When he did not pass the entrance examination, he changed to the polytechnic school and learned there with Johann von Halbig the modeling After a study trip after Rome, if he created In 1866-1872 the bronze monument of king Maximilian II of Bavaria in the inhabitant of Munich Maximilianstrasse. From In 1873 if he was active in Vienna. His main works are this Beethovenmonument (In 1873-In 1880) and the monument for Maria Theresia between him To physical-historical and to him Art-historical museum in Vienna (In 1888). With this monument the empress's queen sits enthroned above base figures of her advisers and rider's statues of her generals. Likewise in Vienna his equestrian statues stand for the generals Count Radetzky (In 1891) and Archduke Albrecht (In 1898-In 1899). This is the most significant work in his Westphalian native country Emperor Wilhel I. statue for this Westphalian provincial monument in the Porta Westfalica. The statue became in coppertreibarbeit made. All works are from clearly idealizing representation marked. From In 1873 up to his Emeritierung In 1901 if Zumbusch professor was in that Academy of the pedagogic arts Vienna. In 1908 if he stretched in him Chiemgau back where he died on the 27th September, 1915 at the age of 84 years. His son Ludwig von Zumbusch as well as his brother Julius von Zumbusch if are likewise known sculptors. Works (choice) [Work on]
"Denkmal für Otto von Freising" href="http://de.wikipedia.org/wiki/Denkmal_f%C3%BCr_Otto_von_Freising">Monument for Otto von Freising (1858)
"Ludwig van Beethoven" href="http://de.wikipedia.org/wiki/Ludwig_van_Beethoven">Beethovenmonument on the Beethoven's place in Vienna (1880)
Giant statue of the emperor "Franz Joseph I. (Österreich-Ungarn)" "http://de.wikipedia.org/wiki/Franz_Joseph_I._%28%C3%96sterreich-Ungarn%29">Franz Joseph on the festival narrow staircase of the university in Vienna (1883)
Kaiser-Wilhelm-Denkmal an der Porta Westfalica ///
Victor Tigner (1844 Bratislava,Slowaki Republic -1896 Wien) - Studied at the Viennese academy and was pupil of H. Gasser; in its early works affected by French models, bereiste 1874 with H. Makart Italy, became the general agent of the new baroque within the plastics of the Viennese struggle race. Famous haven guessingist. Building plastics for the yard museums, the castle theatre, the new yard castle and the Hermesvilla as well as several well plants (erasing he wells in the people garden, 1875-77), monuments (who DL monument in Steyr, 1894) and Grabmonumente created. As its Hauptwerk to the place before the Albertina created Mozart monument (1896) in the Viennese castle garden is originally considered. ///
Edmund of Hellmer (1850-1935) ///
Heinrich Victor Seifert (1870-1953) ///
Rudolf Weyr (1847-1914) - Studied with Franz Bauer at the Academy in Vienna between 1864 and 1872. Enrolled at the Vienna Polytechnic to study architecture and worked concurrently in the studio of the sculptor Josef Cesar, who introduced Weyr to Semper and Hasenauer. Executed the large-scale figures in the spandrels above the arches of the central bays of the façades of the Kunsthistorisches Museum. Awarded various medals; together with Tilgner, Weyr was the most important representative of Neo-Baroque sculpture in Austria. Rudolf Weyr was beside Viktor Tilgner a determining representative of the sculpture of the Makartzeit. The artist received numerous honours. 1919 were designated a lane in our district after it. ////
Hanns (Hans) Gasser (1817-1868) ///
Anton Dominik Ritter von Fernkorn (1813-1878) ///
Johann Nepomuk Schaller (1777 Wein – 1842 Wein) ///
Heinrich Victor Seifert (1870 Wien - 1953) ///
Franz Anton von Zauner - (1746 Tirol - 1822 Wien) ///

Sculptors of the 19th. century in Berlin Academy Influenced from the Hellenistic Greek Sculpture

2007-10-19T22:05:00.001-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Munich Academy Graduates, and Professors : * Jakob Ungerer - Neo-Hellenistic Baroque Neptune Sculpture “Mende Fountaine” 1886 - Augustusplatz, Leipzig ; *Architect - Karl Stockhardt – this ia a very strong design with some beautiful elements throughout the large number of figures and decorative details. Jocob Ungerer (1840-1920) studied, and professor of sculpture at the Munich Academy of Fine Art. One of the top Neo Baroque / - Neo Hellenistic 19th. century school of sculpture.; /// Ferdinand von Miller,-sculptor, Bayerisches Armeedenkmal an der Feldherren, Munchen,Bavaria,Germany;
Some 19th. century Berlin Academy graduates:
* Reinhold Begas - (1831 - Berlin - 1911 Berlin) Son of painter Karl B., brother of Carl – 1843 Berlin academies under Schadow – in 1848 in the studio Rauch. 1. independent work> Hagar and Ismael <(1852). In 1855 Rome scholarship – till 1858 there in the circle Lenbach-Böcklin-Feuerbach. In 1861 with Böcklin and brook Len call in großherzogl. Art school of Weimar – in 1863 Berlin. In 1863-64 Rome 1865 Berlin – in 1869-70 and 1892 Rome. Artistic direction in the victory avenue (1895-1901 – and two Gruppenvon to him. One of the best sculptors of the 19th. Century –-, Specifically for his non modern style, not his realist impressionist outdoor or soft surface indoor impressionist work. Neo-Hellenistic Baroque / Lesser quality Impressionist Realist work / Neo Hellenistic Realism / Neo- Renaissance / Romantic Academic ; /// * Carl (Karlhienz ) Begas - (1845 Berlin - 1916 Köthen) Neo - Hellenistic very impressive neo Hellenistic sculpture of a Faun in the Alte Museum Berlin, Son of painter Karl B. – in the Berlin academy (1862 – 64) studies and in the studio seiners of brother Rheinhold, afterwards in the workshop of Louis Sussmann- Hellborn, him in the monuments> Frederich d. Gr. Frederich Wilhelm III <({ Rathaus} city hall Berlin; town house Wroclaw (Breslau) in 1869) involved. 1. free works are Beethoven bust (1866) and charity group (1868. In 1869 and 1887 busts röm belong to Rome – during these years. Knabenund girls (bust of an Italian, in 1879, Stuttgart, Staatsgal.). Public orders in Berlin for the old (Alte) museum, the Academy of the Arts and the Zueghaus. 1890 successors to K. Hassenpflug in the teaching post the Kasseler Academy of Arts till 1898. Employee of his brother in the Berlin national monument for emperor Wilhelm I. (1892-97, 1950 outworn) and in the (Siegesallee) victory avenue (1899).; /// ** Ernst Herter -Neo - Hellenistic , Excellent work – Better than Begas for his outdoor work, particular note his “Wounded Achiles” (influenced by Cortot‘s (early 19th. Century / late 18th. Century {which is influenced by the Hellenistic sculpture – “Dying Gaul”/and obviously the articulation of the Rhodian school – Laokoon, etc…faceted geometric glyptek shape dominating the turning rythems – of simplier conclusion than more complex Greek Hellenistic}) sculpture of the “Fallen Gladiator” in the Louvre – previously placed in Versaille) at the Greek Revival estate of the wife of KaiserWilhelm II on the island of Corfu, Greece; /// Fritz Heinmann - Romantic Academic Realism / Neo –Hellenistic ; /// ** Heinz Hoffmeister (1851 Saarlouis – in 1894 Berlin) sculptor, Painting-around author;:Schüler from C. and R. Cauer in Kreuznach, A. Wittig in Karlsruhe and the Berlin academy. College under A. Wolff. Since 1973 in Berlin resident. Study traveling to Spain, Nord-Africa, East. Involved in the decoration of the armoury with two bronze statues: Wrangle and from Goeben in the fame hall. Numerous official orders and monuments. Hansmann-monument (1888, Aachen); Mendelssohn's monument (1890, Dessau); figürlicher jewellery in the main entrance of the town castle in Berlin; portrait busts of the imperial family (emperor Frederich III, emperor Wilhelm II, empress Augusta Viktoria). Gravestones (statue L. Of Ravine' on old franz. Churchyard in Berlin – not recd) One of the letzen works was the draft for a monument of the Gr. Electors in Friesack (not ausgef). Company Gladenbeck led several works of the artist in her sales catalog (Whistling faun, faun on panther, Cupid, psyche, Beethoven, resurrection). Groups: Nymph and Bacchus boy – Ganymed on the eagle of the Zeus; Busts: Closer W. Müller (Cologne, Wallraf Richartz museum) – painter P. Flickel – Herzog Ernst II v. Castle Col-Gotha; Heinrich H., Ger. sculptor, painter and author (1851-1894), pupil v. K. and R. Cauer in Kreuznach, later b. Wittig a. d. Academy. Düsseldorf., anschl. b. Wolff a. d. Academy. Berlin, active in Berlin and on Capri, lit. cf Th. B., bronze bust of a faun with kiss mouth, hairband and bird's claw, rs. sign. "Heinz Hoffmeister" ", Gießereistempel AG before. H. Gladenbeck and son, on column from Zöblitzer Serpentin (Saxony), on the foot min best of all, H 27.5 cms. " ; /// ** Theodor Erdmann Kalide - Neo- Hellenistic, - Berlin artist (1801-1863). (b Königshütte, Upper Silesia [now Chorzów, Poland], 8 Feb 1801; d Gleiwitz [now Gliwice, Poland], 23 Aug 1863). German sculptor. At the age of 15 he was apprenticed at the Königliche Eisengiesserei in Gleiwitz, where he soon began sculpting cast-iron plaques. In 1819 Johann Gottfried Schadow summoned him to Berlin, where he was instructed in chasing by Coué and worked in the Berlin Eisengiesserei. In 1821 he transferred to the studio of Christian Daniel Rauch. Following Rauch’s example and under his influence, Kalide produced such large animal sculptures as the Resting Lion and the Sleeping Lion (several casts, e.g. zinc, 1824; Berlin, Schloss Kleinglienicke). From 1826 to 1830 Kalide worked on equestrian statuettes, including those of Frederick William II (zinc), after the model by Emanuel Bardou (1744–1818), and Frederick William III (e.g. cast iron; both Berlin, Schloss Charlottenburg, Schinkel-Pav.). In 1830 he became a member of the Berlin Akademie. His most popular works included the life-size bronze group Boy with a Swan (1836), which was installed on the Pfaueninsel in Berlin as a fountain (several casts, all untraced). Kalide achieved wide recognition and aroused violent controversy with his almost life-size marble figure Bacchante on the Panther (1848; Berlin, Schinkelmus., badly damaged). This work transgressed the accepted boundaries of classical art, above all in the figure’s provocative pose, and was perceived as shocking. In its uninhibited sensuality and its blending of the human and the animal, it offended the conservative Berlin public, and consequently Kalide received few new commissions. He had no success with competition designs and became increasingly embittered. He spent his last years at Gleiwitz, where he died. After a theory in the iron foundry Gleiwitz got the well-known artist Gottfried Schadow the young Kalide into its workshop to Berlin. From there Kalide changed later into the then more popular workshop of Christian Daniel Rauch. Solved from the classically determined influence, its own artistic temper developed Schadows and Rauch more for the expression of powerful movements. Its largest artistic acknowledgment found Kalide 1836 with the well figure “The boy with swan”, which received 1851 on the Londoner world exhibition price medal and which Friedrich William IIITH for the lock park Charlottenburg acquired. (verschollen). Theodor Kalide (1801-1864) shows here a trunkene, naked woman, who räkelt herself on the back of a Panthers and gives by an adventurous setting the Raubtier from their bowl to drink. This group released a scandal after its demonstration on the citizens of Berlin academy exhibition of 1848. Kalide accused it hurts the Decorum (behaviour), by showing humans and animal on a stage. During Kiss into its Amazone still the noble fight between humans and Raubtier makes it represented here in animalisch, driveful omittingness common thing. This group of figures is natureful in their to see dionysischen beginning in greatest possible distance from the apollonischen people ideal of the classicism and can as “splendourful proclamation anti-classical Unmen” Bloch / Grzimek 1978, 137) be quite designated. After the presentation of this work Kalide kept no more orders in Berlin and had in the native Schlesien, withdraws, in order to be able to continue to work than sculptors. The Bacchantin on the Panther is received, there only as Torso in the citizens of Berlin national gallery it in to 2. World war was heavily damaged. ; /// Otto Lang – Romantic Academic Realism ; Michael Lock - Neo - Hellenistic / 19th. & early 18TH. Century Academic ; /// * Carl Cauer – (1828 Kreuznach – 1885 Kreuznach) Pigalle influence and Hellenistic sculpture influence ; /// * Ludwig Brunow - – (1843 Lutheran/Mecklenburg – in 1913 Berlin) rider's monument Grand Duke Frederich Franz II (1893, Schwerin), rider's monument emperor Wilhelm I. (1905, Erfurt) 19th. Century realism, Neo Boroque, – Frederich I., in 1883 Berlin, former. Armoury, Ruhmeshalle.this one is particularly good – it's neo baroque; Brunnow – (1843 Lutheran/Mecklenburg – 1913 Berlin) Reiterdenkmal Großherzog Frederich Franz II. (1893, Schwerin), Reiterdenkmal Kaiser Wilhelm I. (1905, Erfurt) 19th. Century realism, Neo Boroque, – Frederich I. , 1883 Berlin, ehem. Zeughaus, Ruhmeshalle.this one is particularly good – it’s neo baroque ; /// Rudolf Marcuse - Neo - Hellenistic ; /// Julius ( Karl Adalbert) Moser - Neo - Hellenistic / Neo - Classical ; /// Richard Ohmann - Neo – Hellenistic / 19th. Century Realism ; /// Friedrich Johann Pfannschmidt - 19th.Century soft French Academy Style - but executed well ; /// Paul Peterich - 19th.Century Realism ; /// Johannes Pfuhl - Neo - Baroque – very impressive, unusual style for the 19th. century/ ; /// Johannes Rottger (also Düsseldorfer Akad. ) - Neo - Hellenistic / 19th. Century Academic ; /// Fritz (Hugo Wilhelm ) Schaper - Neo - Hellenistic / 19th. Century Academic ; /// Martin Schauss - Neo - Hellenistic / Soft 19th. Century French Style ; /// Walter Schmarje Transitional Style Period , elements of R.Begas ( his instructor ) Influence but also modern tendencies ; /// Moritz Schulz - Neo - Hellenistic / Neo - Classical / 19th. Century Academic ; /// Rudolf Schweinitz - Neo – Hellenistic / Neo - Classical ( study in Copenhagen & Italy of influence ) ; /// Victor Heinrich Seifert ( Vienna, Austria late 19th. 1870 - 1953 ) studied in Berlin with E. Herter, L. Manzel, & P. Breuer - Neo - Hellenistic / Late 19th. Century Academic ; /// Constantin Starck - ( 1866 Riga - 1939 ) 19TH. Century Academic / Hellenistic Realism; Ernst Westphahl - 19TH. Century Academic / Neo - early 18th. Century ; /// Carl Friedrich Wichmann ( 1775-1836 ) - Neo - Classical ; /// Albert Moritz Wolf - Neo - Hellenistic / 19th. Century Academic , Animals ; /// Martin Wolff -Neo - Hellenistic / 19th. & mid 18th. Century Academic ; /// Fritz Zadow – Transitional Soft late 19th. Century; August Kiss Academic 19th. Century / Neo Classical ; /// Hans Weddo von Glümer – (1867 Pyritz / Pommern - ?) Schüler der Kunstgewerbeschule und der Berliner Akad. – Meisterschüler von R. Begas. Debüt auf der Akad. – Ausstlg. 1890. – Nixe – Naturbursche (1892) – very nice bronze – neo Hellenistic influence – female in Grecian robe holding strands of very large and long sunflowers. – Karl Löwe Denkmal (1897, Stettin, Prueßen / Poland) , Kaiser Wilhelm Denkmal (Magdeburg) , Frederich der Große Denkmal (1906, Letschin) , Frederich der Große Denkmal (1906, Prenzlau) , Kaiser Frederich III. Denkmal (1906, Prenzlau und Magdeburg) , Ferdinand v. Schill (Stralsund) , Staatsminister Dr. v. Bötticher Berlin, Reichsamt des Innern) ; /// * Nikolaus Geiger – (1849 Lauingen / Bayern – 1897 Berlin) Neo Hellenistic / one of the most interesting sculptors of the 19th. Century - Kaiser Barbarossa, Kaiser Wilhelm – Thuringen, Germany 1861 Steinmetzlehre in Lauingen – nebenher Gewerbeschule Augsburg – verläßt vorzeitig die Lehre – Akad. München – 1866 – 1872 Kgl. Akad. Bei Joseph Knabl und in Privatateliers tätig. 1873 Wechsel nach nach Berlin – Modelleur für Stuckornamente. 1878 -1879 Rom – 1880 Paris – 1881 Wien – 1881 – 1884 München (Malereistudium). 1893 Mitglied der Akad. Der Künste Berlin – 1896 Kgl. Professor der Berliner Akad. Verheiratet mit der Bildhauerin Henny Geiger-Spiegel. – Secessions – Kriegerdenkmal (ab 1888, Indianapolis, Indiana,U.S.A.) , Grab Amalie Hoffman, um 1889 (gest 1889 – seit 1882 Besitzer Ing. Hoffman, Berlin, Kirchhof St. Matthäus - Gemeinde) , Fries und Gruppe (1886, Berlin, Dresdner Bank) – Giebelfeld (Vollend. 1898 von Henny Geiger-Spiegel; Berlin, St. Hedwigs – Kirche) Nikolaus Geiger – (1849 Lauingen / Bavaria – in 1897 Berlin) Neo Hellenistic / one of the most interesting sculptors of the 19th. Century - emperor Barbarossa, emperor Wilhelm– Thuringen, Germany In 1861 stonecutter apprenticeship in Lauingen – alongside vocational school Augsburg – leaves prematurely the apprenticeship – academy. Munich – In 1866 – in 1872 Kgl. Academy. With Joseph Knabl and in private studios active. 1873 changes after to Berlin – Modelleur for stucco ornaments. In 1878-1879 Rome – in 1880 Paris – in 1881 Vienna – in 1881 – in 1884 Munich (painting study). In 1893 member of the academy. Of the arts Berlin – in 1896 Kgl. Professor of the Berlin academy. Married with the sculptor Henny Geiger-Spiegel. – Secessions – war memorial (from 1888, Indianapolis, Indiana, U.S.A.), grave Amalie Hoffman, about 1889 (gest in 1889 – since 1882 owner engineer Hoffman, Berlin, churchyard Saint Mattew - municipality), frieze and group (1886, Berlin, Dresdner Bank) – tympanum (Vollend. In 1898 from Henny Geiger-Spiegel; Berlin, Saint Hedwigs – church); /// Georg August Gaul – (1869 Großauheim / Hanau – 1921 Berlin) Neo – Hellenistic / 19th. Century Academic - Animals,; /// Gustav Eberlein – (1847 Spiekerhausen – 1926 Berlin) technically very good, early work is solid neo Hellenistic / 19th. Century realism but evolved into junk of the pre modern. (* 14. July 1847 in Spiekershausen; † 5 February 1926 in Berlin) was a German sculptor, painter and a writer. It was around 1900 after Reinhold Begas that a usually busy artist of the citizens of Berlin sculptor school 19. Century. From it come among other things the Goethe monument in Rome, the Richard Wagner monument and the Lortzing monument in the citizen of Berlin zoo, the monumental work „God father haucht Adam the Odem “in Hannoversch flowing, the national monument of Argentina and further four person monuments in Buenos Aires, the kolossale „German well “in Santiago de Chile, still received rider monuments in Hamburg Altona, Geislingen and Coburg (rider monument from duke Ernst II., 1899 production) as well as person monuments in king stone, Goettingen and Dransfeld as well as sculptures in Wiesbaden (yard theatre) and Berlin (theatre of the west). The majority of its bronze monuments was melted in the Second World War, among them the emperors Wilhelm I - rider monuments in Mannheim, Elberfeld, Gera, Mönchengladbach, forest home, Neheim and Hann. Flow; the Friedrich III. - Fixed image in Elberfeld; the double monument emperor Wilhelm I. and Bismarck in Ruhr place; the Bismarck monument in Krefeld; the crucifix before the garrison church in Kiel and the Kolossalgruppen in the trade museum Stuttgart. From its two groups for the victory avenue in Berlin two marble statues and three Assistenzfiguren are received. Eberlein in the area of the haven guessing and small plastics was particularly successful. Altogether are well-known over 900 works of the sculpture, painting and Schriftstellerei. The list of works contains over 600 illustrations. Many museums in Germany and abroad possess works of Eberlein, under it the old person national gallery in Berlin (among other things thorn extractors). On art exhibitions in Berlin and Munich Eberlein with works was regularly represented. Politically Eberlein stepped out around 1900 by its commitment against the Lex Heinze and its employment for the peace between France and Prussia. Due to its critical attitude and its disapproved support to works of Augusts Rodin and Constantin Meunier were removed for 16 from 20 works from the large citizens of Berlin art exhibition 1900 „on highest instruction “. From over 300 gypsum originals became in the Städt. Museum Hann. Flow over half on the Schutthalde thrown. From a floor luggage situation of the yearly 1962 about 80 sculptures and 11 painting could be restored between 1983 and 1989. Some of it are located today in important museums (among other things German historical museum, Berlin). The grave Eberleins on the old person pc. - Matthäus Kirchhof is an honour grave of the city Berlin. The Internet sides of the Gustav Eberlein research registered association offer material, among other things an extensive bibliography, over this artist and its surrounding field. Professor Rolf Grimm has the presidency.; /// * Max Klein ( Hungarian ) Excellent work Neo - Hellenistic /Romantic 19th. Century Academic ; /// Julius Jules Franz – (1824 Berlin – 1887 Berlin) neo Classical / neo Hellenistic / 19th. Century realism – Hirte von Einem Panther Angefallen, 1852 Shepard Attacked by a Panther, protected by his dog – 1852, bronze, - Schwerin, also Potsdam, Park Sanssouchi – 1850 – Shäfer und Hun dim Kampf mit einem Panther ; /// Rheinhold Boeltzig – (1863 Berlin - ?) Fruchtsammlerin, 1907 – very nice neo Hellenistic ; Konrad Kiesel (1846 Düsseldorf – 1921 Berlin) Zunächst Architektur an der Berliner Bauakad. Studiert – dann 6 Jahre Bildhauerei im Atelier von F. Schaper – wechselte spatter zur Malerei – Schüler von Fritz Paulsen in Berlin, spatter von Wilhelm Sohn in Düsseldorf. K. ließ sich 1885 in Berlin nieder – 1886 Titel - 1892 Ordentl. Mitglied der Berliner Akad. Der Kunste., - Hebe, den Adler tränkend, um 1870, Berlin, Privatbesitz., - bronze - female in a Grecian robe with eagle

Sculptors 19th. century Munich,Konigsberg,Dresden,Budapest,Leipzig,Weimar,Karlsruhe,Zurich,Czech/Sudantenland

2007-10-19T21:55:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
architect Adolph Gnauth, Completion 1886 by Ungerer
Munich : * Jakob Ungerer - Neo-Hellenistic Baroque Neptune Sculpture -“Mende Fountaine” 1886 - Augustusplatz, Leipzig ; *Architect - Karl Stockhardt – this ia a very strong design with some beautiful elements throughout the large number of figures and decorative details. Jocob Ungerer (1840-1920) studied, and professor of sculpture at the Munich Academy of Fine Art. One of the top Neo Baroque / - Neo Hellenistic 19th. century school of sculpture.;/// * Ferdinand von Miller,-sculptor, (* 18th October In 1813 in Fürstenfeldbruck; † 11th February In 1887 in Munich) Bayerisches Armeedenkmal an der Feldherren, Bavarian army monument to the generals, Munchen, Bavaria, Germany, Miller worked in the royal ore foundry at first under his uncle as an assistant. Fast Stiglmaier recognized the talent of its nephew and made possible for the talented boy of attendance of the (Kunstakademie in München ) in academy of arts in Munich and Paris, where he made acquaintance with ( Alexander von Humboldt ) Alexander of Humboldt. This told it by a new project king of Ludwig I., with that a survive-large figure, which should be poured „Bavaria “. Miller returned to Munich, transferred the royal ore foundry to follow-up of its uncle as a first supervisor and worked from now on on the project „Bavaria “. It needed and processed whole eight years for the 15 meters high head of the figure 87,360 kg ore. The gigantic work was finally revealed 1850 solemnly. 1878 it acquired the ore foundry of the Bavarian state.;/// * Nikolaus Geiger (1849-97) was a German sculptor and painter, born at Lauingen, Bavaria. He was a pupil of Joseph Knabl at the Munich Academy. In 1873 he went to Berlin and soon became known through ornamental work in the Tiele-Winckler Palace. After a visit to Italy he studied painting in Munich and in 1884 returned to Berlin, where he was awarded a gold medal in 1886, was elected member of the academy in 1893, and was made professor in 1896. St. Hedwig's Cathedral in Berlin contains examples of his work. He produced the high-relief "Adoration of the Magi" (1894). His painting, "The Communion of the Saints," on the ceiling of St. Hedwig's is his most noteworthy painting. He sculpted a "Frederick I, Holy Roman Emperor" href="http://en.wikipedia.org/wiki/Frederick_I%2C_Holy_Roman_Emperor">Frederick Barbarossa for the Kyffhäuser monument; a statue of Work for the Reichsbank building in Berlin; and "Centaur and Nymph," for the National Gallery. Geiger produced a frieze in relief for the Soldiers' and Sailors' Monument in Indianapolis.
Some of the 19th. century graduates of the Königsberg Academy: East Prussia, Königsberg – * Ernst Bernadien – (1864 Königsberg - ?) – Studiert an der Kunstakad. Königsberg bei Prof. Frederich Reusch (R. seit 1881 dort) – belegt ist, dass B. bis 1920 in Berlin lebte. – neo Hellenistic / 19th. Century realism, looks very good – Hirtenknabe, 1908, bronze , Grabmal August Härtel (Leipzig, Stüdfriedhof) – Friederich d. Gr. (Danzig, Landhaus, Sitzungs-saal) , Figure of a Young Man in period clothes with a sword – bronze life size in the Archaeology Dept Exhibit hall University of Leipzig//; Eugen Boermiel – (1858 Königsberg – 1932 Berlin?) 1874 bei E. Lürssen 1. Unterricht – 1875 – 1879 Berliner Akad., Schüler von F. Schaper (1876 – 1878) – im Meister – atelier R. Begas als Staatsstipendiat – 1879 – 1889 bei O. Lessing (dekor. Bauplastik) tätig – 1889 selbständig in Berlin – arbeitete Modelle für Edelmetallarbeiten (Tafelsilber, Aufsätze) Schneewittchen, 1892 – very nice – Pigalle / 18th. Century realism / neo Hellenistic , Kaiser Wilhelm I. Denkmal (1903 – 1913, Danzig, Prueßen / Poland) , Kaiser Franz Joseph - Denkmal (1911, Karlsbad / Karlovy Vary, Czech Republic) ; //// Kyffhäuser Denkmal – (near Bad Frankenhausen, kyffhäuser / Harzt mountains) /// * Emil Franz Richard Hundrieser (1846 Königsberg / Prueßen – 1911 Berlin)
Some 19th. century sculpture graduates of note from the Dresden Academy of Fine Art: * Robert Diez - (* 20 April 1844 Pössneck; † 7 October 1922 Loschwitz with Dresden) was a well-known sculptor. - Neo-Hellenistic, independently starting from 1873, 1881 honour member of the Dresdens academy, successor Hähnels in the master studio for plastics and member of the academic advice; Professor Dr., 1912 secret advice.; /// ; * Ernst Frederich Rietschel – (1804 Pulsnitz – 1861 Dresden) Neo Classical, - very good, of note are the larger number of successful sculptures being his bust work. ; /// Paul Rinckleben – Fama Dome, Dresden Academy of Arts (so called Lemon Press); /// George Ferdinand Howaldt – 8 April 1802 in Braunschweig, 19 January 1883 in Braunschweig; /// * Christian Daniel Rauch – ( January 1777 in Arolsen in Hessen, 3 December 1857 in Dresden ) German Classicism, - pupil of Johann Gottfried Schadow. /// Carl Kundmann (* 15. June 1838 in Vienna; † 9 June 1919 ebenda) was a Austrian sculptor. It is considered as one the main master of the struggle race epoch, where it took over numerous decoration work /// Ernst Julius Hähnel (* 9. March or 9. May 1811 in Dresden; † 22. May 1891 in Dresden) was a German sculptor and professor at the Dresdener academy of arts /// Johannes Schilling (* 23. June 1828 in Mittweida; † 21. March 1910 in Dresden) was a German sculptor. /// Numerous well-known artist professors such as Canaletto, Giovanni Casanova, Caspar David Friedrich and Gottfried Semper, gave an international reputation to the academy. /// Architects in Dresden : ///// Hans Rudolf Hartmann (1862-1908): Bildhauer, Schüler von J. Schilling ///// Johannes Hartmann (1869-1952), deutscher Bildhauer ///// * Gottfried Semper (* 29 November 1803 in Hamburg; † 15. May 1879 in Rome) was one of the most important German architects in the center 19. Century. /// Johann William Constantin Lipsius (* 20 October 1832 in Leipzig, † 11 April 1894 in Dresden) was a German architect and architectural theorist of historicism. He was a designer of the Lipsius building, the former academy of arts and art exhibition building on the Brühl terrace in Dresden (1883-1894), in which today the university for screen end of arts Dresden has its seat. ///// Hudler, August (1868-1905), Bildhauer, Dachau 12. 12. 1868 - 21. 11. 1905 Dresden. Pupil of Hess and Hackl at the college of arts and crafts Munich. 1891-93 study at the residents of Munich academy with Ruemann and Diez (with the latter also painting). Since 1893 independently actively. Several study stays in Italy. 1900 address in Dresden. 1905 teachers in the modelling class of the Dresdener academy (as successors of Epler). Created several large order work for sakrale areas. Hamburg (0HH), Bismarck-Denkmal Eisenach (0TH), Reliefs Bismarck und Moltke im Burschenschaftsdenkmal //////
Some of the graduates from the 19th. cewntury of or associated with the Budapest Academy of Fine Art: * Max Klein – (1847 Göncz / Ungarn – 1908 Berlin) – neo Hellenistic / 19th. Century realism – very good – Hagar und Ishmael, um 1887, – 1859 – 1864 Uhrmacherlehre – ab 1864 in Pest beim Bildhauer Prof. Szandház tätig – 1865 (1/2 Jahr) Berliner Akad. – danach als Stukkateur bei einem Bildhauer W – 1866 – 1867 in Breslau – wirder in Berlin, nebenher als Bildhauer tätig – 1869 Rom – 1874 Berliner Akad. Bei C. Steffeck (Maler) – nach Romreise in Berlin an – sässig – 1901 Professorentitel – Debüt 1877 – Fischers Traum, (b Göncz, 27 Jan 1847; d Berlin, 6 Sept 1908). Hungarian sculptor active in Germany. He trained (1859–64) as a clockmaker and then worked in Pest (now Budapest) for 18 months with the Hungarian sculptor Szandház (?1824–92), who produced funerary figures. In 1865 the Artists’ Association of Pest sent Klein to Berlin, where he probably attended the foundation course at the Akademie for three months. He then worked with an unidentified sculptor (perhaps Emil Walsleben (d 1887)). In 1866 Klein was in Breslau (now Wroclaw, Poland) and about 1867 he returned, via Pest and Vienna, to Berlin, then moved to Munich and, in 1869, to Rome. From 1874 he studied at the Akademie in Berlin with Carl Constantin Heinrich Steffeck, settling in Berlin after a second journey to Rome. ///,
Szandház Károly,
(Eger, 1824. jan. 9. - Budapest. 1892. dec. 16.): szobrász. Az 1840-es években került szülővárosából Pestre, ahol Ferenczy István növendéke lett. Fő munkaterülete a díszítőszobrászat volt, amelyet oly széles keretek között folytatott, hogy segédeken kívül tanítványait (Donáth, Klein, Senyei) is foglalkoztatta. Néha kiállításokon is jelentkezett egy-egy alakos művel (Megijedt anya ) és képmásokkal (Széchenyi). 1862-től a műegy.-en mintázást tanított. Számos díszítőszobrászati feladaton Ferenc nevű öccsével közösen dolgoztak. - Irod. Lyka Károly: A Sz. műhely (Magy. Művészet, 1931). Forrás: Életrajzi lexikon, - very beautifully sculpted female life size Crouching Venus, in marble, Budapest Museum of Fine Art
In Leipzig Academy of Fine Art association sculptors from the 19th century of note: Adolf Lehnert – (1862 Leipzig – 1948 Leipzig) Bust of Gustave Harkort, 1887, 19th. Century realism mixed with tight rendered neo – Classicism – in the Bildenden Kunst Leipzig /// * Max Klinger – interesting subjects – quite well executed and with an understanding of Greek Hellenistic sculpture, but with an unfortunate tendency to include less aesthetic realism into the work – the sculpture looks soft at first but on further inspection is quite solid in construction ///// * Carl Ludwig Seffner (* 19. Juni 1861 in Leipzig; † 2. Oktober 1932 ebenda) war ein deutscher Bildhauer. Carl Seffner studied from 1877 to 1883 at the Leipziger academy of arts with Wilhelm His It was thereupon short time in Berlin active and was from 1886 to 88 in Italy. After it had returned 1889 again to Leipzig, it dedicated itself predominantly the Porträtbildnerei. it implemented 1889-93 for the University of Leipzig the Marmorbüsten of Anton Springer, Karl Thiersch, Bernhard Windscheid and Carl Ludwig. Seffner was member of the Leipziger Freimaurer Loge Minerva to the three palms.New brook monument 1895 succeeded to prove it to it together with William His that it concerned briefly before with with the change of the Leipziger Johanniskirche found heads the Johann Sebastian of brook. Its earnings/services in the anatomical reconstruction brought in the Leipziger university for it. Because of its ability to reconstruct the type of the composer in so convincing truth it the execution of the new brook monument before the Thomas church was transferred later into Leipzig (1908).For Leipzig it created the monuments Karl Heines (1896/97), the mayor Carl William Otto cook (1898) and young Goethe as Leipziger student, for Jena the monument Karl von Hases. From it also the Goethebüste (1920) comes, which was set up first in (second) the garb house (Grassistrasse) and is since 1999 in the entrance hall of the Mendelssohnsaales (third) of the garb house (Augustusplatz). In addition Seffner created a multiplicity of artistically valuable grave thinking marks on the Leipziger south cemetery, on which he is also buried (IITH department of, discounts 164-167). The sculptor Carl Seffner died at the age of 71 years on 2 October 1932 in Leipzig.////
In Weimar sculptors of note: /// * Adolf von Donndorf – (Weimar 1835 – 1916 Stuttgart) – Hellenistic / mixed with Northern Italian 19th. Century Academic – Milan academy school / Genoa style, - Model for the Carl August Denkmal in Weimar – 1870 Bronze, cast C.A. Bierling, Foundary Dresden 1875 – very good 19th. Century realism , ALSO – BUST IN Leipzig of Julius Shnorr von Carolsfeld, 1881 Leipzig Fine Arts Museum (Leipzig Bildenden Kunst) – realism with a flair for design bust with wild medium length hair and a bow tie /// Martin Gottlieb Klauer – (1742 Rodolstadt – 1801 Weimar) sculpture – Thalia, sculpture – Apolino, both neo classical style - competent //// * Johann Wilhelm Konrath – (1750 – 1819) Bücherschrank um 1790 – very beautiful marble female head with leaves and hair in a pony tail going horizontally as if in a breeze – Fantastic Greek Hellenistic influenced sculpture bust– one of the best I have seen!!!
Karlsruhe Akademie, Karlsruhe, Germany - **
Hoffmeister, Heinz (1851-1894), Saarlouis 1851 - 1894 Berlin Bildhauer, Since 1873 in Berlin resident sculptor, painter and writer Heinz Hoffmeister was pupil of Carl and Robert Cauer in Kreuznach, from August Wittig in Karlsruhe and from Albert Wolff at der Berliner Akademie. Study trips led it to Spain, North Africa and into the Orient. It implemented numerous official orders and monuments, among other things the monument at the banker and politician David Hans man in Aachen, 1888, and the Mendelssohn monument in Dessau, 1890, as well as Büsten of the imperial family and the figürlichen decoration at the Stadtschlosses lock in Berlin. Under its further small bronze for Gladenbeck are a Beethoven Büste, a Amor, and a psyche.
Switzerland. Plastik in der Schweiz, 18, & 19 jahrhundert Bildhauer - * Heinrich Keller, Swiss, der Züricher Bildhauer (active Rome), 1771 – 1832, The Birth of Venus, c. 1799, Marble, 40 1/2 x 51 inches (102.9 x 129.5 cm) Philadelphia Museum of Art, - Excellent sculpture by Keller ///// Hermann Haller (* 24. Dezember 1880 in Bern; † 23. November 1950 in Zürich) war ein Bildhauer und gilt als Begründer der modernen Plastik in der Schweiz. Stuttgart die Akademie der bildenden Künste – his work is transitional – the beginning of medeocre sculpture
Czech Republic / Sudantenland / Bohemia / Silesia / Moravia / - 18th., & 19th. century - Academy of Fine Art Prague: Joseph Vaklav Myslbek - Josef Václav Myslbek ( June 20 1848 – June 2 1922) Mixed Style - some rather labored realism of lesser quality, and Classical & Neo- Hellenistic - among the styles, very good life size bronze crucifixion in the Academy of Art in Prague - Excellent example of Neo Hellenistic / 19th. Century Romantic Mix, Myslbek was working with Prof. Kleine on Greek Sculpture reconstruction's for Karlova University – including “Invitation to the Dance” “reconstruction including the seated nymph reconstruction from Brussels, Belgium, and Venice, Italy together with the "Dancing Faun” in the Ufitzi, Florence, Italy - known with the poorly executed arms, & head from Michelangelos studio as exhibited in the Ufitzi. The reconstruction using all the original parts from various marble Greek / Roman copy varients and fragments reconstructed in plaster cast brings the beauty of the sculpture to total light, and reforms the notion of Hellenistic composition; Prof. B. Schweitzer in Leipzig,- Pasquino Group, Menelaos with body of Patroklos , plaster cast Reconstruction of original 200 / 250 B.C.; Prof. Magi in Rome, reconstruction of Loakoon; and many other Archaeologist concentrated on reconstructions utilizing the original discovered missing parts of Hellenistic and Classical sculptures during the period between 1860 – 1965. This work has been continued by similar attempts by the like of Prof. Berger in Basel, Switzerland
sculptors of note from the 19th. century St. Petersburg Academy of Fine Art: Peter Jacob Clodt Von Jürgensburg – (1805 St. Petersburg – 1867 Chalala/Finnland) – neo Classical / neo Hellenistic / realism ;

List 19th. century sculptors of note Scandiavian/Baltic,Italian,Spanish,French

2007-10-19T21:48:00.000-04:00

Jocob Ungerer, -sculptor, (1840-1920), detail, Mende Brunnen Denkmal, Leipzig, Saxony, Germany
Munich Academy, Professor of Sculpture
Augustusplatz
{
Mende well finances Thieriot from the donation means of the buyer widow Marianne Pauline Mende, geb. - after a draft of the Nürnberger architect Adolph Gnauth, gest. 1884 - Completion 1886 by Hugo light - Well inauguration 1886 - Plastics of Professor Ungerer sense-figurative Allegorie on the meaning of the water
Excellent design in the composition of the sculpture as well as the form content of this Neo-Hellenistic sculpture group. There is a slight amount of the Romantic Academic mixed within the style which limits the possibility of the work, still quite impressive.}, bloger, PBP
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Scandinavia / Baltic : * Andreas Kolberg ( 1817 - unknown background from my research - I suspect his family is associated with Kolberg, Eastern Pomerania (Pommern, Land am Meer), Ost Preußen - 1869 ) – Hellenistic / one of the top sculptors for the 19th. Century period. - Lifesize ,“Drunkin Faun“,Neo-Hellenistic – beautiful sculpture one of the Best of the period, Bronze , Copenhagen - Vesterbro //; Johan Peter Molin – Sweden //; * Constantin Starck - ( 1866 Riga - 1939 ) Neo Hellenistic / 19TH. Century Academic, 1885 - 87 Kunstschule Stuttgart, 1887 - 91 Berliner Academy., Schüler von A: Wolff, F: Schaper, E: Herter - 1891 98 Meisterschüler von R. Begas - danach bis 1910 Lehrer der Unterrichtsanstalt des Berliner Kunstgewerbemuseums - 1898 Mitglied der Acad. der Künste Berlin. Werke für Berlin:
Italian 19th. century sculptors of note: * Francesco Barzaghi, - Milan - Neo-Hellenistic – and less appealing 19th. century realism: (Milano 1839 -1892). - Milan - Neo-Hellenistic – Attended the studies of Puttinati and Tantardini, and later on enrolled at the Academy of Brera, where he is student of Hunters. Professor at the Academy of Brera;/// * SAINT Saccomanno, Neo Hellenistic influence, one of the best Italian sculptors of the 19th. Century – (Genoa 1833 - 1914) Studied with Varni at the Academy Ligustica, (Tomba Chiarella, 1872), ( De Coast, 1877), Tomba Nicolò Lavarello (1890). "Eternal Sleep" - Tomba Carl Grass (1883), Tomba Acquarone (1899) - ; * Agusto Rivalta, - Genoa - Neo-Hellenistic - Romantic Academic Realism – , (Alexandria, Piemonte, Italy 1837- Florence 1925) studies end Ligustica Academy, in 1859, Florence, studied with Dupré. Staglieno ten works, between which the Tomba Carl Beam (1872), the Tomba Drago (the 1884) and Tomba Pallavicino Genoa ;/// * Giovanni Duprè - Giovanni Duprè - Italian Sculptor, 1817-1882, Opposed mannered imitation of the works of Antonio Canova. Dupré was the son of a carver in wood. Institute of art of Siena moved to Florence aligned with Bartolini. .;/// * Lorenzo Bartolini, - Italian Sculptor, 1777-1850, ;/// Pietro Tenerani ; /// Adriano Cecioni ; /// Giulio Monteverde
Spanish sculptors of note 19th. century:Luis Bonifas ; Damian Campany ; Jose Piquer Y Duart
French sculptors of note: * Jean-Pierre Cortot - - Paris, 1787 – Paris, 1843 Neo-Hellenistic early 19th. Century excellent "Le soldat de Marathon annonçant la victoire" 1834, Louvre, Paris, One of the four sculptural groups at the base of the Arc are The Triumph of 1810 (Jean-Pierre Cortot), Works – Paris: Arc de triomphe de l’Étoile: relief of Triumph (1810), Equestrian statue of Louis XIII, in the square of Louis XIII in the place des Vosges (1825) , In the Louvre: Daphne and Chloe (1824-1827) , Place de la Concorde: the French cities, statues representing Brest and Rouen (1835-1838) // * Ernest Dubois 1863 - 1931( not Paul ) Neo-Hellenistic – “The Pardon” marble life size – excellent composition and beautifully sculpted Neo Hellenictic – Glyptotek, Copenhagen, // * Jules Dalou - Mixed Styles – 1838 - 1902, Neo Hellenistic -17th. Century /Rubens / Romantic - Academic – some work being of poor quality (slick, and lacking any content), lacking in Hellenistic influence , staying within the weak French influence of Academic naturalism, other work arriving at more interesting and better designed elements, uneven output; // * Antoine-Louis Barye – Neo -Hellenistic / Romantic Academic 19th. Century his better work is quite impressive, tendencies to illustration in his lesser work //; * Jules Moigniez – beautifully sculpted bird subjects with a strong influence from Hellenistic Greek animal / bird sculpture; // * David D'Angers – Pierre-Jean David (Angers, 1788-Paris, 1856) his best work being his releifs ;// Ferdinand Pautrot ; //Charles Valton – student of Barye, made some more naturalistic animal sculpture, with underlying foundation of well executed form from the influence of Barye; //Pierre Jules Mene naturalistic – but beautifully executed animal sculpture – romantic realism style //; Christophe Fratin //; * Jean-Jacques Pradier (1790 - June 4, 1852) was a Swiss-born French sculptor best known for his work in the neoclassical style – very beautifully designed Hellenistic / Classical influenced sculpture – Hellenistic, Home base Geneva, Switzerland. Switzerland – the German part, - //; Jean Baptiste Auguste Clesinger //; Francois Rude – a link to the relatives that studied with him for a more founded study in remnents of 18th. Century real French Academic, not the more common weak naturalism of the French Romantic Academic of the 19th. Century //; Fremiet //; Jean Bapiste Carpeaux – F. Rude’s nephew – most of the work weak in content of structured form, a few quite well executed sculptures, of note the life size “Girl listening to a Conch Shell”, marble, and the “Three Graces” //; Ernest Christophe //; Joseph Chinard
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Personal Data

2007-10-19T21:19:00.000-04:00

Sculptor- primary interest in Hellenistic Greek Sculpture / Hellenistic Diaspora - 350 BCE - 150 CE, & sculpture derived from study of this work.
Studied independently in European Archaeology Institutes, & Universities plaster cast collections of Greek Classical, and Hellenistic Antique, Museums of Greek Hellenistic sculpture, & Academies in Europe, & U.S.

Places I've Lived for Study:
Berlin
Germany From 1990 to 1991
Copenhagen
Denmark From 1991 to 1992
Budapest
Hungary From 1992 to 1993
Roma/Napoli/Sperlonga
Italy From 1993 to 1994
Bethesda/Washington,D.C., Maryland
US From 1994 to present

Homepage:
http://www.myspace.com/sculptorbradp

Places I've Worked:
Parker Studio of Structural Sculpture Sculptor Sculptor,Professor
Bethesda/Washington,D.C., Maryland US From 1995 to present

Places I've Studied:
Pennsylvania Academy of Fine Art Other
Philadelphia, Pennsylvania US From 1977 to 1984
Frudakis Academy/Atelier Sculpture Other
Philadelphia, Pennsylvania US From 1981 to 1984
Languages Spoken:
English

Some Musical Taste:
Wagner; Bach; R.Strauss; Pfitzner; Wolf; Dupre; Makám; Lantos Zoltán; Vedres Csaba; Dresch Mihály Quartet; Félix Lajkó; Jablkoň & Svěcený; Jiří Stivín; Gatto Marte; Julverne; Flairck; Pekka Pohjola; Piirpauke; Lars Hollmer; Pascal Gaigne; Didier Squiban; Gwerz; Isabele Bouley; Faiza Ahmed; Fairouz; Asala Qetharat Al Sharq; Huong Thanh & Ngu

Some Movies:
"The Singing Detective "Dir: D Potter; "Kontrol"Hungary
dir: Ivan Fila; Eliseo Subiela "Don't Die Without Telling Me Where You're Going"; "Stevie" dir: Robert Enders; "Fanny & Alexander" dir: Ingmar Bergman; "Berlin Alexanderplatz" "Effi Briest" dir: Fassbander; Longest Engagement...
dir: Nimrod Antal; "Lea" Christian Redl & Lenka Vlasakova

Writers / Books
Thrice Greatesst Hermes; The Books of Charles Fort; Robert Graves
Johann Wolfgang von Goethe; Friedrich von Schiller; Rainier Maria Rilke; Edgar Allan Poe; Pablo Neruda;William Butler Yeats; Rudyard Kipling; Mark Twain; Federico Garcia Lorca; Magic Realists - Garcia Marquez; etc...

Some Historic Sculptors in the Hellenistic Technique Tradition :
H H Hoffmeister; J Ungerer; J Pfuhl; L Brunow; C Cauer; E Bernadien; M Lock; T E Kalide; Saccomanno; G Duprè; L Bartolini; J W Konrath; E F Rietschel; C D Rauch; H Keller; Pradier; Houdon; P L Roland; Cortot; C. G. Allegrain; F W E Doel; Pigalle; A De Vries; G F Susini; Giambologna; De Rossi; Algardi